satyrscalling: art: weiss__ming (Default)
TW: mentions of apocalyptic violence. gore. basically the whole list explained in this OPT-OUT post which are topics that I may dive into. Please proceed with caution but i promise he atleast won't bite in the first post dhdhd

-----> PROMPT ONE: REAWAKENING



He wakes up choking on the scent of velvet.

His body feels like scorched iron—like someone left him in a fire to melt and pulled him out too late. There’s pain in his hands, sharp and residual, and his mouth tastes like blood and dirt. The couch beneath him is soft, too soft, and it's wrong. Everything is wrong.

He gasps. Sits upright.

His white winter coat—charred, soot-licked, ruined—clings to him like a funeral shroud. There are black streaks where the fabric burned, and brown-red stains where it didn’t. A pipe clinks against the couch’s side, connected to the bag resting near his foot. The bag’s zipper is partially open, a shotgun muzzle poking through like some final judgment.

And for a long moment, Takuto Maruki just… breathes.

Smoke in his lungs. Blood under his nails. Akira’s face above him, blood-spattered and pale, machete stuck hilt-deep in his chest. I’m sorry too he says just as he sees the face of another young man.

His hope.

Goro. The dead boyfriend.

Dying out just as quickly as it awakened. Like cinders.

He remembers that. His last memory.

The pain blooms slow. His limbs ache from disuse or death—it’s hard to tell. The char at his collarbone crackles when he moves, and when he reaches to rub his neck, his fingers freeze.

There's no bandage over his left eye.

He hisses and leans forward, feeling around his face. His face is aged, grey clinging to brown dark hair with eye circles so deep that they might as well be the burrows of his own grave. He digs a trembling hand into his coat. Pistol. Familiar. He keeps going.

There's...a woman standing before him. He doesn't pull up his gun just yet. She's wearing interesting attire. Blue.

She has an emergency gauze. Small mirror. She has some tools as well but Maruki merely snatches the bandage and sets the mirror on his lap.

He doesn’t call for help. Just starts wrapping the gauze one-handed, clutching the mirror awkwardly in his lap. The wound hasn’t reopened, but it's gorey. Red in all the wrong places. Deep and ugly.

His breathing evens.

The room is quiet. Gentle music plays from nowhere. Everything smells like lavender and old paper. Or not. Where is he? It's shrouded in blue. Somehow, he imagined a less calming afterlife than this and then, and then—

Just as he's properly tying off the bandage on his head- it would whip at the direction of foosteps coming his way.




-----> PROMPT TWO: CONSPIRACY BOARD



Maruki stares at the board like it owes him an apology.

Red thread. Maps, maybe. Diagrams with scribbled arrows and underlines and huge, frantic circles. But none of it—not a single word—makes sense.

He doesn’t speak Japanese.

He never needed to. Born and raised in Colorado. PhD in psychology from Yale. Worked at a private institute in California before the world ended. And after that, well—after that there wasn’t much room for language classes. He speaks English and sign, knows some psych jargon in German and Latin—not whatever this is.

But for all that, he knows that most of this is written in Japanese. He can read them anyway.

He glances around the room like someone might explain it to him. They don’t.

"...Right," he mutters under his breath, rubbing the bridge of his nose. His body still aches. His eye burns beneath the makeshift gauze as if that was the only answer he deserved. “Real helpful. Thanks, universe.”

There's a picture of...a bird. A demon bird there. He has brown hair and stark dark eyes, close to crimson- like Goro from the fire.

That..doesn't make sense. He's so sure he's alive. Somehow. Well right after his death. Then again. he's also dead. It's easy to memorize the face by heart, especially when he's sure it will haunt him when he comes across a creature like him.

There is English, though. Bits of it. Scattered. Not helpful.

"I propose a compromise: Cap
can be short for Captain or Capsize. or Capacitor!"


Codenames.

Another one:

"PLEASE DON'T FLOOD THIS BOARD WITH BICKERING."


Maruki exhales, dragging a hand through his hair.
Okay, Akira. Turns out you become a captain. During the victorian era. The thought of it makes warmth flood in his chest which he quickly quells when he observes the rest of the details. He tried not to get caught off guard by things but really- he shouldn't be alive or this aware right now. Especially after death so maybe he doesn't have much to judge things for.
"And I still have no idea where the hell I am.”

He glances at the board again, desperate for context. For clarity. For anything.

"... Am I on Tumblr?" he murmurs.

"Crow believes it may have something to do with 'dumbass energy.'"
He lets out a small breath through his nose. Not quite a laugh.

That’s... familiar. Too familiar. He doesn’t know these people in a way he would have liked in a different context, but he knows this energy. Knows what it's like to build understanding from scraps. To put names to patterns that no one else even sees yet. To stitch your world back together with colored thread and hope.

He reads the next note.

Yu vs. Souji.

And then:
Vampires are real.
Demons, too.


And then:
Why is it mostly us?

He feels his stomach turn.

He hasn’t breathed in a while.

The threads spiral in every direction. Names, codenames, timelines, versions—fractals of people. Stacked realities. Layered lies. His eyes dart from corner to corner of the board, trying to take it in all at once.

He's seen something like this before. On a wall made of concrete and rot. Written in blood and nail scratches. But this? This is almost clean. Curated. A museum of fractured identities.

How quaint.




-----> PROMPT THREE: downtown shibuya



It’s too quiet.

No screams. No sirens. No gunfire in the distance. No helicopters buzzing overhead. No static bleeding from busted radios. The lights are on. It's...not as cold as it should be. It's pleasant. Everywhere.

Takuto walks slowly down the street, trying not to stagger. His boots feel wrong on the pavement—clean pavement, without dust or ash caked into every crack. Shibuya gleams around him like something from a dream he used to have. A place he only knew through half-watched anime and tourist blogs, back when he still had a mom or family to talk about those things with. Before everything fell apart.

It's cleaner than anything he’s ever seen. Too clean. Like the whole city’s a set someone forgot to tear down. Or a simulation running just a beat too smoothly. He remembered when he saw most of the major cities in his world were up in flames to prevent the outbreak and god, that time he was so naive. Thinking that he and his family could survive through the apocalypse.

He passes a convenience store—some narrow place lit up like a spaceship—and flinches when the door chime goes off. He startles again at the whirr of a vending machine kicking to life. Every person who brushes past him makes him twitch. He keeps his head down, glasses slightly fogged, the way they always get when the cold air kisses skin still warm from adrenaline.

He can’t read the signs. He catches glimpses—ファミリーマート, ホットスナック, 新発売!—but it’s all a blur of symbols he never got around to learning. Just decorations that somehow make the vaguest sense. Even the people—sharp suits, glossy bags, laughter drifting past like perfume—feel like part of the backdrop.

When he reaches a trash bin, he doesn’t hesitate.

The white coat—scorched, riddled with holes, soaked with things he doesn’t want to think about—goes in with a heavy, wet thump. It hits like a body. Slumps like one too. There's no ceremony to it. It just... leaves him.

The pistol stays. Tucked into the back waistband of his rough jeans, hidden under a sagging gray sweater two sizes too big for him- scavenged from other survivors. He hasn’t decided whether he’s ready to let that go. It’s the only thing here that makes sense.

His hair’s still matted. His face is a wreck—half-healed burns, dirt he couldn’t scrub out, shadows that make his skin look bruised even when it’s not.

Nobody looks at him.

Or so he thinks.


Nobody sees him.

No one’s asked his name. No one’s screamed. No one’s tried to shoot him, or eat him, or take the watch off his wrist or the shoes off his feet while he sleeps.

He finds a pedestrian bridge and grips the railing, hard enough to steady the tremble in his arms. Below him, hundreds of people move in all directions, smooth and fast and alive. Their voices rise in a low hum, constant and harmless.

He needs a phone.

Safety. He needs safety.


He stares at them like they’re an alien species. Maybe he’s the alien. Some stowaway from another world, dropped into this one without a map or purpose. Like limbo.

He doesn’t understand.

And he hates how warm it feels.

The ache sneaks in beneath his ribs, small and sharp. A tiny, fractured thing, not dead but not whole, either. It stirs in the silence. In the safety. In the normal.

It doesn’t know what to do with any of this.

Not with clean streets. Not with neon signs. Not with vending machines that work or children who aren’t starving or trash bins that aren’t overflowing with charred memories.

info

Apr. 19th, 2025 01:28 pm
satyrscalling: art: weiss__ming (Default)
history

Takuto Maruki is a complex, tragic figure: a man of deep compassion twisted by grief, desperation, and the unbearable demands of survival in a world that has long since stopped making sense. Once an empathetic academic, Maruki now finds himself the reluctant shepherd of a fragmented village of survivors, burdened by decisions no human should ever have to make. At his core, he is a man who has been consumed by the weight of unfulfilled dreams and the blood on his hands. He is warm and honest—until survival forces his hands into cruelty. Beneath his kindness lies a man slowly being undone.

Maruki was a gentle academic who lived in Colorado, America and was studying to be the usual psychologist. Married to Rumi, the daughter of a strong community leader. They had a young son and a beloved dog. His world unravelled with the outbreak, culminating in the deaths of Rumi and their child during an early winter crisis. These events deeply fractured him psychologically.

After Rumi’s father died, and shortly after, Rumi herself, the community turned to Maruki despite his protests. Grieving, hollow, but desperate to protect what remained, he accepted the mantle. Initially a caretaker rather than a commander, Maruki became a figurehead of emotional calm and philosophical justification amid worsening conditions.

The descent

As winters grew harsher, hunting yields vanished, and starvation crept in. A desperate plan: large scavenging parties sent further and further out. Many never returned. Eventually, food ran out — except the dead themselves. At first, the act felt vile. Then it felt necessary. Now, it’s buried under justifications about "recycling energy" and "protecting the living." Most of the community — women, children — remain unaware. They're told it’s animal meat. Maruki carries the guilt for them.

The main plot

Maruki finds Akira alone when demanding antibiotics for the buck that had stumbled into his village, sees in him the ghost of his own son — same age, same eyes. Takes him in, tends to him as best as he could offer with the open distrust, and opens up emotionally. Their early talks are deeply vulnerable, almost gentle. Maruki shares stories of Rumi, his child, his failures — and his hopes that Akira might stay.

"Join us. You don’t have to suffer. You’re not alone."

Offers philosophical comfort — comparing cannibalism to nature’s cycle, framing it as mercy rather than malice. Argues that morality must adapt when the world burns. Maruki genuinely does not want to harm Akira. His breakdown when Akira resists shows he’s not playing a role — he’s just broken.

Shibusawa confronts him saying “He’s not your son.” The illusion shatters. Maruki begs, pleads, bargains — trying desperately to make Akira stay. Even after Akira learns his horrible secret or when he tries to threaten Shibusawa to let him go, he uses Maruki as hostage. Really, Akira was going to call Akira's bluff which ended up with Akira stabbing Maruki's eye with a fork. When Akira still refuses, Maruki is left shaken, sorrowful, undone.

Maruki and Akira have their final confrontation after Akira escapes, killing Shibusawa and Sugimura (who he ended up raising like a pseudo-son). They fight in a local restaurant with a buffet place awfully similar to the restaurant maruki takes him in canon and well- they fight to the death. He fails to kill him once with the machete and getting severe back injury after a column collapses on him when he tries to choke Akira. He finally meets his demise when the machete is rained down on him by Akira's hand before it would be revealed that Goro Akechi, Akira's supposed dead boyfriend was alive (ask me in comments the full story its VERY long okay)

personality

MBTI Personality: INFJ-T (The Advocate)

intuitive
introverted
feeling
judging
assertive

Takuto Maruki is a deeply compassionate man with a fundamentally idealistic worldview that has been cracked, weathered, and eventually malformed by grief, guilt, and the relentless cruelty of a broken world. A former therapist and man of science, Maruki once operated with a belief in the restorative power of empathy and reason.

Even after the collapse of civilization, this belief endured — but as circumstances hardened, so did Maruki's methods of "kindness." At his core, Maruki is a man who cannot stop caring, even as that caring becomes twisted.

When cornered or emotionally wrecked: He falls into nihilistic spirals, wondering if everything he did was meaningless. He becomes desperately apologetic, haunted by memories of those he failed to save (like the teenagers, Rumi, Shibusawa). And then he tries to fix things again, to control what little he has left. Often by force. He can kill. He can command others to die. But it destroys him every time — and he refuses to admit how much of it was his fault.

Maruki is terrified of being powerless. He overcompensates by moralizing control as care. He seeks absolution through others — if someone forgives him, it validates his whole warped worldview. He is willing to ignore horrors (e.g., slaughterhouse practices) if it means preserving emotional safety. His belief in meaning and destiny makes him dangerous — because he truly believes it’s all for the greater good. That there is no other option. If you have read this far welcome to my nerd dump below.

Maruki constantly operates from a deep, inner world of vision and meaning. He believes there must be a reason behind suffering — that the events around him can't be meaningless. He tries to connect all the tragedy into a cohesive narrative, almost mystically, to rationalize his survival and choices. Ni-dominants often perceive symbolic significance in events, and Maruki exhibits this with phrases like "This happened for a reason... it has to." He’s also obsessed with a larger vision — a "better world" — and clings to this imagined ideal (even in the midst of horror) in a way that blinds him to the actual suffering he enables. The apocalypse doesn’t just shatter his world — it shatters his ideal, and his mind tries to bend reality back into that shape, no matter how morally twisted that becomes.

Maruki leads through emotional intelligence — he manages people, soothes them, comforts them with warm words and expressions of sympathy. Fe gives him the ability to deeply empathize with others, but in a corrupted state, it can become manipulative or overly self-sacrificing. He genuinely wants to help, to maintain harmony, but his efforts warp as he justifies cruelty through care: “We’re not monsters. We’re just humans afflicted by our love.” His use of Fe becomes a mask, presenting a polished front of kindness while just beneath lies grief, control, and despair.

Maruki struggles to exist in the present. He clings to memory, vision, and philosophy, and only engages with the real, physical world when forced. The reality of his actions (the bodies, the blood, the slaughterhouse) is something he actively avoids. When confronted with the grotesque truth — he breaks. It overwhelms him. This shows Se-inferior's struggle: denial of what’s actually happening because it’s too immediate, too real. His final breakdown — when the fire consumes everything, when his mask shatters — is Se crashing down on him all at once.

appearance

He is not fully alive, but not fully dead either — a man-shaped husk with enough empathy left to haunt himself.

eye color: dark brown

hair color: brown with slight greys

height: 180 cm

weight: 49 kgs

The most immediately striking feature is the thick, stained bandage that wraps tightly around his right eye. He changes the bandage to ensure its fresh and unassuming like the first time he gets to meet everyone.

The eye beneath is no longer an eye. It’s a gory, decayed socket, beyond saving. In moments of vulnerability or hallucination, the bandage slips, revealing raw, blackened muscle, exposed nerves, and the slow crawl of necrosis. The patch makes his gaze lopsided, his left eye carrying all the weight — constantly strained, watery, flickering with exhaustion and anguish.

There are burns that lace his entire body, especially around the areas behind teh neck, collarbone and if further layers are removed than a portion of his arms given that his coat was caught on fire. He tries to keep the worst hidden under layers of fabric and bandage wraps, but often they peek through — especially along the neck and forearms where sleeves ride up.

You can often catch him wearing his third semester outfit. He does want to be anywhere near a white lab coat.

He keeps his head slightly tilted — an unconscious defense posture due to the eye injury. His left eye (the only remaining one) is overly expressive — darting, flickering, constantly scanning and never at rest. When smiling, most of the left hand side of his face participates with occasional wide grins that are only possible through a mediated effort.

relationships
tidus

Lorem ipsum dolor sit amet

lulu

Lorem ipsum dolor sit amet

Skills and experience
Combat and survival

Proficient with firearms, particularly a concealed gun he keeps secret until absolutely necessary. Adept at hand-to-hand combat, capable of disarming and overpowering opponents, especially when cornered. Uses strategic and psychological insight to manipulate, delay, or disable his enemies. Has leadership skills born from organizing and sustaining a village in brutal winter terrain. Intimate understanding of fighting styles and body language, used to assess threats.

Medical/Academic

Background in psychology and medicine; able to triage, treat wounds, and rationalize horrific choices. Uses his academic intellect for manipulation and logistical planning. Understands nutrition, anatomy—especially in disturbing contexts like cannibalism.

visuals
soundtrack
song - artist

Lyric

Lyric

Lyric

Lyric

song - artist

Lyric

Lyric

Lyric

Lyric

meta
alias
• plurk
• discord
• utc

• pb
• image source [x] [x] [x]

Profile

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